You've hit the point here.
1) The vast majority of us don't even have an audio source capable of producing 1hz sounds. The vast majority of audio formats don't support sounds outside of human hearing.
2) The microphones used to record the sound won't support sound that low either
Okay, so at points 1 and 2 we've established you're going to have a hell of a time even finding a 1hz signal to send to this thing, moving us onto my final point:
3) Feel. Sure, I can accept we're missing things in movies - the feel of the wind, the smell of a prison camp - but surely this isn't going to bridge that gap. All you'd get, at best, is your sound would have more presence and you'd feel changes in air pressure through your body a little. I'd suggest you'd struggle to notice it, given you can't even hear it.
Of course that's mooted by the fact that nobody has an audio source capable of producing frequency that low. Here's the sort of mic that is used on film and tv:
http://www.markertek.co.uk/Catalog/C...s/MKH416-P48U3
Goes down to 40hz.
This product is moronic at best.
...So the answer is to make up the sound? That's not accurate reproduction is it? Is a subsonic synthesiser even a real thing?meaning a subsonic synthesizer would be necessary to replicate all bass material in the lower frequencies in an even lower range (ie 1 -2 octaves lower).
It's not awesome, it doesn't even do anything useful.Practical? No. But then, when were we known for choosing something practical over something awesome?